Almost impossibly beautiful music pulled together from what should be incongruous parts. Europe’s endless motorways stretching into the night, broadcast live from Essex. Unpredictable, unique. Underworld.
“David Bowie’s LOW was the first record that made me realise that a singer can stand at the back as well as the front of the band. Rick was ahead of me in his vision for the dubnobasswithmyheadman album and he’s done it again with Brussels. Twenty-four hours before this release it was one of a pile of unfinished pieces ‘not’ scheduled to come out. Simon Taylor filmed his route home that evening as he travelled down the motorway - some of this footage inevitably found its way into the conversation. Working back and forth with sound and image is how we're developing the DRIFT Series, Rick weaving and stitching grooves, melody and words together; drawing parts from disparate songs to create a piece of music that shocked me. Twenty four hours ago, this journey through the edge of night didn't exist.” - Karl
lyrics
BRUSSELS
The art of conversation
The art of conversation
The art of conversation
The art of conversation
No Fail
No Fail
No Fail
The art of conversation
The art of conversation
The art of conversation
The art of conversation
The art of conversation
No Fail
No Fail
No Fail
No Fail
The art of conversation
credits
from DRIFT Episode 2: ATOM,
released June 10, 2020
Underworld - Brussels
Produced by Rick Smith
Written and Performed by Rick Smith and Karl Hyde
Rick Smith & Karl Hyde are published by Mute Song Ltd. (PRS) for the world excluding the USA, Canada and Mexico and by Big Deal Beats (BMI) administered by Words & Music for USA, Canada and Mexico.
(p) & (c) 2018 Smith Hyde Productions
Year Recorded 2018
If touring was possible, these are the sounds I’d be chilling out to in my bus bunk after getting off stage from another night of banging techno. (Karl Hyde/Underworld). Underworld
THREE is fantastic! ‘Bloom’ is pure, unpredictable, relentless sonic nectar. The Necks are an animal machine, painters of landscapes that make my head feel good. - (Karl Hyde - Underworld) Underworld
A group that I know only too well, I’ve been with them for nearly 30 years; from their Glaswegian basement origins to their current status as Arena band. My enthusiasm for their later output may have tempered somewhat as the mighty ‘Gwai evolved their sound to avoid pigeonholing, but there is nothing better than when they lay waste to a venue via the sheer euphoria of ‘Helicon 1’. They’re still devastating live and, after all those years, THE authority in Instrumental Rock music. Logen Ninefingers
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